Women in New Media
Sources in Art and
Technology

Networks

Web-based Papers

Classic Web Works

Links

Book Table of Contents

Reviews































Additional Resources



Books

  • Lynn Cherny and Elizabeth Reba Weise, eds.
    "Wired Women: Gender and New Realities in Cyberspace", Seattle: Seal Press, 1996.
    http://www.powells.com/biblio?PID=24750&cgi=product&isbn=1878067737
    (Powell's Books)

  • Maria Fernandez, Faith Wilding, and Michelle M. Wright, Editors
    Domain Errors! Cyberfeminist Practices , Autonomedia, 2003. ( A subRosa Project)

  • Heide Hagebolling, ed.
    Interactive Dramaturgies: New Approaches in Multimedia Content and Design,
    Springer, 2004
    http://www.springer.com/computer/media+design/book/978-3-540-44206-6

  • Brenda Laurel
    Design Research: Methods and Perspectives, Cambridge, MA: MIT Press, 2003.

  • Brenda Laurel
    Utopian Entrepreneur, Cambridge, MA: MIT Press, 2001.

  • Wendy Harcourt, Ed.
    Women Internet: Creating New Cultures in Cyberspace, Zed Books, 1999.

  • Alexandra Juhasz, Women of Vision: Histories in Feminist Film
    and Video
    , University of Minnesota Press, 2001

  • Judy Malloy, ed.
    Women, Art & Technology, Cambridge, MA: MIT Press, 2003
    http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=9905

  • Margaret Morse
    Virtualities: Television, Media Art, and Cyberculture ,
    Indiana University Press, 1998.

  • Christiane Paul
    Digital Art, Thames & Hudson, 2003.
    http://www.thamesandhudson.com/en/1/9780500203675.mxs

  • Catherine Richards and Nell Tenhaaf
    Bioapparatus, Banff, Canada: Banff Centre for the Arts, 1991.

  • Sadie Plant
    Zeros + Ones: Digital Women + the New Technoculture, Doubleday, 1997.

  • Sherry Turkle
    Life on the Screen, NY: Simon & Schuster, 1995.

Papers by Critics, Curators and Researchers

  • Martha Burkle Bonecchi
    "La Tecnologia las ha Olvidado"
    Mujeres del Terecer Mundo y Nuevas Tecnologias de Comunicacion,
    in "Genero y Comunicacion", Razon y Palabra 9:2. 1997-1998

  • DeCordova Museum, "Harriet Casdin-Silver: The Art of Holography"
    Joyce and Edward Linde Gallery, James and Audrey Foster Galleries
    September 26, 1998 - January 3, 1999
    http://www.decordova.org/Decordova/exhibit/1998/silver/silver.html

  • Sue Ellen Case
    "Eve's Apple or Women's Narrative Bytes," MFS Modern Fiction
    Studies
    , 43:3, 297-298, 1996. (special issue edited by Katherine Hayles)

  • Abigail Derecho
    Illegitimate Media: Race, Gender and Censorship in Digital Remix Culture
    dissertation, Northwestern University, 2008

  • Marille Hahne, ed.
    Coded Characters - Media Art by Jill Scott,
    Ostfildern-Ruit: Hatje Cantz, 2003.

  • N. Katherine Hayles
    An excerpt from How We Became Posthuman Virtual Bodies
    in Cybernetics, Literature, and Informatics

    University of Chicago Press, 1999
    http://www.press.uchicago.edu/Misc/Chicago/321460.html

  • "Hypertext Horizon: An Interview With Kathryn Cramer"
    Transcript of a live on-line interview over Sonicnet with Harry Goldstein,
    Altx Online Network http://www.altx.com/int2/kathryn.cramer.html

  • Arthur and Marilouise Kroker, Timothy Murray, curators
    "Wired Ruins"
    (ctheory multimedia)
    -- http://ctheorymultimedia.cornell.edu/issue3/

  • Jaishree K. Odin
    "The Edge of Difference: Negotiations Between the Hypertextual and the Postcolonial" MFS Modern Fiction Studies, 43:3, 1996. (special issue edited by Katherine Hayles)

  • Kelly O'Keefe
    Interview with Melinda Rackham -- http://art.colorado.edu/hiaff/AIS_Interview_02.php
    (on the "Histories of Internet Art: Fictions and Factions" web site
    produced by students in the Digital Art area in the University of Colorado's
    Fine Arts Department in conjunction with the Alt-X Online Network)

  • Barbara London
    Internyet, A Media Curators Dispaches from Russia and Ukraine
    includes AES Group; Natalia Borisova; Tania Detkina; Olga Egorova, Olia Lialina; and many others
    The Museum of Modern Art, Online Projects -- http://www.moma.org/onlineprojects/internyet/index.html

  • Pamela McCorduck, "Sex, Lies and Avatars - Sherry Turkle knows what
    role-playing in cyberspace really means. A profile", Wired, April, 1996 --
    http://www.wired.com/wired/archive/4.04/turkle.html

  • Katherine Hayles
    "Embodied Virtuality: Or How to Put Bodies Back into the Picture,"
    in Mary Ann Moser , ed Immersed in Technology: Art and Virtual
    Environments
    , Cambridge, MA: MIT Press, 1996.

  • Grace Murray Hopper
    http://www.sdsc.edu/ScienceWomen/hopper.html (The San Diego Supercomputer Center, "Women in Science")

  • The Grace Hopper Celebration of Women in Computing -- http://www.gracehopper.org/

  • Suely Rolnik
    "For a state of art: the actuality of Lygia Clark" -- http://www1.uol.com.br/bienal/24bienal/nuh/expo_clark.htm
    XXIV Bienal de Sao Paolo, 1994

  • Alexi Shulgin
    "Interview with Natalie Bookchin", Walker Art Center Gallery 9 -- http://www.walkerart.org/gallery9/universalpage/bookchin_shulgin.html

  • Darlene Tong
    "'Overview of Archiving the Non-Archival' Visual Images and Summary Considerations", Paper presented for session "Archives of the Avant-Garde (Archiving the Non-Archival)" at the College Art Association conference, New York City, February 25-26, 2000

  • University of Hawai'i Press
    SPECIAL ISSUE: Online Lives
    Biography, vol. 26, no. 1 (Winter 2003)
    http://www.uhpress.hawaii.edu/journals/bio/BIO26-1.html
    includes essays by Elayne Zalis, Helen Kennedy, Madeleine Sorapure, Laurie McNeill, among others.

  • Alejandro Wang, "Coco Fusco: Mujer de Accin," Meridiam (Instituto
    Andaluz de la Mujer), no. 20, primer trimestre, ao, 46-50, 2001.

  • Faith Wilding
    "Where is the Feminism in Cyberfeminism" --
    http://www.andrew.cmu.edu/user/fwild/faithwilding/wherefem.html
    (In Hillary Robinson, ed., Feminist Art Theory, UK: Blackwells: UK, 2001.

  • Writers Workshop
    "Interview with Jennifer Ley" (TrAce Online Writing Community)
    http://trace.ntu.ac.uk/community/workshop/jenniferslog.htm

Papers and Resources by Artists

  • Margaret Benyon
    "Writings"
    http://www.holonet.khm.de/benyonarchive/top/writrevs.htm
    (on holography and other topics from a pioneer in the field of holography)

  • Anne Bray
    "The Community is Watching and Replying: Art in Public Places and Spaces."
    Leonardo 35.1: 15-21, 2002.

  • Sharon Daniel and Karen O'Rourke
    "Mapping the Database: Trajectories and Perspectives", Leonardo,
    37:4, 2004 pp. 287-296.

  • Agnes Denes
    http://www.greenmuseum.org/artist_index.php?artist_id=63
    (on greenmuseum.org)

  • Frances Dyson
    __"Circuits of the Voice: From Cosmology to Telephony",
    SoundCulture, 1994
    http://www.soundculture.org/texts/dyson_circuits.html
    __"A Philosophonics of Space", SoundCulture, 1994
    http://www.soundculture.org/texts/dyson_philosophonics.html
    __"Radio Art in Waves", Leonardo Music Journal 4, 9-11, 1994.
    __"Shattered Calculations: the work of Catherine Richards" catalogue essay
    for Biennale of Sydney, 2004 On Reason & Emotion, exhibition, Sydney 2004
    http://www.catherinerichards.ca/html/essays.htm
    __"Wireless Affections: Embodiment and Emotions in New Media/Theory and Art",
    Convergence, 11:4:85-105, 2005
    http://con.sagepub.com/cgi/content/abstract/11/4/85

  • Jane Yellowlees Douglas
    "Virtual Intimacy (TM) and the Male Gaze Cubed: Interacting with
    Narratioves on CD-ROM," Leonardo 3, 207-213, 1996.

  • Carolyn Guyer
    "Quibbling: A Hyperfiction", Leonardo, 26:3, 258, 1993,

  • Dene Grigar
    "The Jungfrau Tapes - A Conversation with Diana Slattery about
    The Glide Project", Iowa Review Web
    http://www.uiowa.edu/~iareview/tirweb/feature/grigar/

  • Karen Guzak
    "Between Geometry and Gesture: Combining Electronic Media with
    Traditional Artistic Methods", Leonardo 30:1, 19-22, 1997.

  • Jennifer Hall
    "Netdrama: An Online Environmental Scheme", Leonardo, 24:2, 193-194, 1991.

  • Beryl Korot
    "Language as Still Life: From Video to Painting," Leonardo 21:4, 1988, p. 367-370

  • Samantha Henriette Krukowski
    "Alchemical Frames" -- http://www.cm.aces.utexas.edu/faculty/skrukowski/writings/alchemicalframes.html
    (A description of her work SALT AND GLUE, 2003)

  • Lynn Hershman Leeson
    Clicking in: Hot Links to a Digital Culture, Bay Press, 1996.

  • Judy Malloy
    Judy Malloy, "Interactive Stories: Writing Public Literature in an Evolving Internet Environment" in Narrative Dramatologies, edited by Heide Hagebolling, Springer, 2004
    http://www.judymalloy.net/intaud.html
    __"Hypernarrative in the Age of the Web", National Endowment for the Arts Website, 1998
    http://www.well.com/user/jmalloy/neapaper.html

  • Judy Malloy and Cathy Marshall
    "Forward Anywhere" in: Lynn Cherny and Beth Weise, eds., Wired Women. (Seattle, WA: Seal, 1996), 56-70

  • Vera Molner
    "Toward Aesthetic Guidelines for Painting with the Aid of a Computer" Leonardo 8:1, 185-189, 1975

  • Karen O'Rourke
    Paris Reseau: Paris Network, Leonardo 29:1, 51-57, 1996.

  • Andrea Polli
    "Virtual Space and the Construction of Memory: Installation and Performance Work", Leonardo 31:2, 89-92, 1998.

  • Catherine Richards
    "Excitable Tissues and Virtual Worlds",in inno'v@-tion2, The Canada Foundation for Innovation -- http://www.innovation.ca/innovation2/essay_richards.html

  • Sonya Rapoport
    "From Osiris to Sinai", Leonardo 24:1, 1991, p. 89-90

  • Jill Scott
    "Paradise Tossed", Leonardo 27:1, 77-78, 1994

  • Jill Scott
    Characters of Motion (performance documentation, 1980)

  • Bonnie Sherk
    "The Creation of a Living Library: An International Network of Interactive Life Frames", Leonardo 24:2, 223-226, 1991.

  • Rejane Spitz
    in Paul Hertz, "Colonial Ventures in Cyberspace," Leonardo 30:4, 249-259, 1997.

  • Sue Thomas
    Hello World: Travels in Virtuality
    -- http://www.rawnervebooks.co.uk/helloworld.html

  • Marilyn Waligore
    "Artist-Sorceress: Photography and Digital Metamorphosis", Leonardo 28:4, 249-256, 1995

  • Gail Wight: The Evolution of Disarticulation
    (San Francisco Art Institute, San Francisco 2003) (catalog)

Internet Portals


Critics and Researchers - Homepages. Biographies, and Blogs













A supplemental resource
for Judy Malloy, ed.,
Women, Art and Technology
MIT Press, 2003